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Informations

An Exceptional Heritage
The Paris Biennial was founded in 1959 by André Malraux. It was inaugurated on October 3rd of the same year at the Paris Museum of Modern Art. Since its creation, the Paris Biennial has been an important force in the development of late 20th century art. Following the Biennial’s inauguration, André Malraux declared that : “Paris must remain, as far as art is concerned, an instigating and innovative city”. The Biennial has consistently supported practices that constitute a new definition of art free of institutional and market demands yet grounded in and committed to the world as it is lived and experienced. The Biennale de Paris was founded in 1959 by Andre Malraux. The biennial is set up by the non-profit organization. Many personalities from the art world have participated and still participate at the Biennale de Paris, including: Pontus Hulten, Gérard Gassiot-Talabot, Michel Ragon, Pierre Restany, Catherine Millet, Alfred Pacquement, Jean Clair, Daniel Abadie, Jean-Christophe Ammann, Catherine Francblin, Achile Bonito Oliva, Jean-Marc Poinsot, Lucy R. Lippard, Ghislain Mollet-Vièville, Paul Ardenne, Stephen Wright, Jean-Claude Moineau. Amongst the artists presented we find those who are now legends in art history, such as: Henri Matisse, Piet Mondrian, Pablo Picasso, Georges Braque, Marc Chagall, Max Ernst, Amedeo Modigliani, Jean Tinguely, Robert Rauschenberg, David Hockney, Christo, GRAV (Research group for Visual Art, the first kinetic group emerging around Frank Popper), Zéro Group, Christian Boltanski, Bernar Venet, Daniel Buren, Michelangelo Pistoletto, Nam Jum Paik, Gilbert and George, Mario Merz, Vito Acconci, Alighiero Boetti, Dan Graham, Yves Klein, Joseph Beuys.

Dates and places
The 16th Paris Biennial takes place between October 1, 2008 and September 30, 2010, when it happens and where it happens. Editions are renewed every 2 years, and run continuously during each two-year period. The Biennial may occasionally manifest elsewhere than Paris. Participants set the dates and times for their own interventions. The Paris Biennial takes place over and in time.

 
 
       
Informations
An Exceptional Heritage
Dates and places

Identity
Stakes
Objective
Strategy
An art without a fixed location and without a unique date
An art without art works
An art without exhibition
An art without spectatorship
An art without curatorship
An art without guides
Authors without authority
An horizontal institution
Natural public
A macrocritical approach
Invisual practices
Operating
Oral transmission
A rupture with the conventions of art


Diffusion
Press review
Accreditations
Press releases

Partners

Public institutions
Foundations
Associations
Entreprises
Medias
Perpetual supplier
Extensions
The Amicale of Biennale de Paris
The College of Biennale de Paris
The Associates of Biennale de Paris

Sections
Reinventing the terminology of art
Impermanent Collection
The Archives of Biennale de Paris
Activity report
Competition
Residencies
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